SONIC BRANDING TECHNOLOGISTS • STUDIO FOUNDERS • PRODUCERS • TED-X KEYNOTE SPEAKERS
Charlton Hill and Justin Shave didn't just adapt to the future of music, they helped design it. Together, they are two of the most forward-thinking minds at the intersection of music, technology, and culture working in Australia today.
Charlton and Justin are the co-founders of Uncanny Valley, a Sydney-based music and technology studio that has been operating at the edge of what's possible in sound since 2010. What began as a high-end commercial music house has evolved into a globally recognised force in sonic branding, AI-generated composition, screen music, and music technology, a studio that doesn't just respond to where the industry is heading, but actively shapes it.
Their individual credentials are formidable. Justin holds a degree in music, computing science, and pure mathematics from the University of Sydney, has performed at Wembley and across Europe, consulted for Native Instruments in Berlin and Fairlight Instruments in Australia, and developed his own software synthesisers.
His production credits span Sia, Darren Hayes (Savage Garden), The Presets, Fatboy Slim, and the Potbelleez - including co-writing the Platinum APRA Award-winning Dance Work of the Year.
Charlton Hill brings more than two decades across music, television, film, and advertising as an ARIA-nominated recording artist, songwriter, studio manager, music supervisor, copyright consultant, and actor, with a foot equally planted in art and commerce from the beginning of his career.
Together, Uncanny Valley has built one of Australia's most significant commercial music portfolios - composing and producing for Paramount, ABC, BBC, Seven, Ten, SBS, and over a decade of broadcast network themes, trailers, and original scores. Their client list spans Google, Qantas, Telstra, Tourism Australia, Renault F1, and the launch of Disney Shanghai.
Their AGSC Award-winning Fox League theme, featuring Briggs and Caiti Baker, stands as one of the most recognised pieces of broadcast composition in the country. In 2023, they signed a global administration deal with Universal Music Publishing's Classics and Screen division, joining a roster alongside Danny Elfman and Nicholas Britell.
In 2020, Uncanny Valley entered the inaugural Eurovision AI Song Contest - a Dutch broadcaster VPRO competition pitting teams from across Europe and Australia in creating the best Eurovision-style song using artificial intelligence. Their entry, "Beautiful the World," trained neural networks on 200 MIDI versions of Eurovision songs, used GPT-2 to generate lyrics, and built instruments from recorded sounds of native Australian animals including koalas, kookaburras, and Tasmanian devils, as a response to the devastating bushfires of that summer. They won. The result was international coverage across MusicTech, UNSW, WIPO, and broadcast media globally, and sparked a new chapter of industry investigation into augmented creativity and ethical AI in music.
The win led directly to their TEDxSydney talk "Can artificial intelligence be a music collaborator?" now hosted on TED.com, in which Hill and Shave make the case for AI as a creative partner rather than a replacement, and outline how machine learning can be deployed to benefit artists rather than diminish them.
That philosophy underpins MEMU, their proprietary AI-powered music engine that enables real-time mixing, generation, and artist contribution tracking — designed to democratise production while ensuring creators are paid for their work. They have since spoken at SXSW Sydney, the World Science Festival Brisbane, collaborated with academics at UNSW, RMIT, Griffith University, and ANU's School of Cybernetics, and consulted with WIPO on reshaping IP frameworks for AI-generated music.
Charlton and Justin operate with a shared philosophy: that the most exciting creative territory lies at the boundary between human emotion and machine intelligence.
Their work is playful, rigorous, and commercially grounded — and their mentoring brings that same rare combination of craft, innovation, and strategic thinking to the next generation of music makers.